Lucas Martín

Position
Assistant Professor

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Lucas Martín started working as a studio engineer two years before he graduated with a degree in media studies from the CEU Universidad Cardenal Herrera. In 2009, he moved to the United Kingdom where he combined teaching roles in several institutions, such as Trafford Council, the Manchester College, and the Royal Northern College of Music, with sound engineering and video production freelance projects for different festivals, theaters, music venues, and national media organizations.

Career Highlights
  • Live sound and live recording engineer with credits including Jack DeJohnette, the Soul Rebels, Django Bates, Adrian Utley (Portishead), Liane Carroll, and Tim Garland
  • Other clients include the Manchester Jazz Festival, FutureEverything Festival, BBC Radio 2, and Classic FM
  • Video engineer and installation designer with credits including John Helliwell (Supertramp), Gary Carpenter, Pepe de Lucía, Manchester Camerata, the BBC website, and Guinness World Records
Education
  • School Name
    Universidad Internacional de La Rioja
    Country
    Spain
    Degree
    Master of Arts in Music Business
    Field of Study
    Music Business
    Date Degree Received
  • School Name
    Universidad CEU Cardenal Herrera
    Country
    Spain
    Degree
    Bachelor of Professional Studies (BPS)
    Field of Study
    Digital Communications and Media/Multimedia
    Date Degree Received
  • School Name
    C.E.V Centro de Estudios del Video
    Country
    Spain
    Degree
    Professional Studies Certification (PSC)
    Field of Study
    Sound Engineering
    Date Degree Received
In Their Own Words

“I really like to share the passion I feel about every aspect of technical live-event production. My teaching style is based on the learning-by-doing method, in which students are actively involved in technical live-event production from day one and throughout the semester.”

“I think it’s important for performers, engineers, and professionals from the music-business industry to understand not only the technical aspects, but also the specific language behind every live event.”